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Chapter 632

~7 min read 1,232 words

Not only Fan Shi, but when seeing this plot.

More or less showed the smile of King Qin Wu.

The audience who were originally a bit bored with the fighting, now all of them were energized.

Although many audience members said they were fed up with those cookie-cutter dog-blood dramas.

But when similar things really happened, their bodies were still very honest and leaned in.

Of course, it mainly depends on the quality.

Although "dog-blood" is a derogatory term, as long as it is filmed well, it can also become a classic.

For example, that classic eternal transmission of Hong Shixian, Lin Pinyu, and Aili.

When the crew invited Xu Feng to play Hong Shixian back then, he really struggled for a while.

In the end, he still refused.

After all, he really didn't have the confidence to act better than Ling Xiaosu.

And he didn't want people to associate the line "You are so slutty" with his face when they saw him.

However, soon, the audience couldn't laugh anymore.

When seeing Kenneth's fiancée facing her husband who was paralyzed and had lost the ability to act independently.

Threatening her husband with a sneer in a flat tone to hand over the Command Spell to her.

Fan Shi and others all shivered secretly.

The actress who played this female character was Xu Feng's old friend (with benefits), Megan Fox.

Although because of temperament reasons, Xu Feng didn't let her play Irisviel, the wife full of girlish flavor.

But he still let her play another wife.

It must be said that Megan Fox's acting skills are absolutely up to standard, and she played this poisonous woman character vividly.

Especially when she said the cruelest words in the gentlest tone, threatening Kenneth to hand over the Command Spell, and breaking her fiancé's fingers.

The male audience in front of the big screen shivered violently.

So scary.

It's another day of daily fear of marriage.

It must be said that *Fate/Zero* really has the flavor of a hodgepodge.

History, action, fantasy... now even ethics.

But it is integrated just right, and it won't make people feel a sense of violation.

And then... the Banquet of Kings!

Xu Feng, Savannah, and Hugh Jackman contributed the most wonderful literary scene in the whole film, from lines to expressions, from eyes to emotions.

When filming this segment, Savannah, who only had a few experiences as an extra, was completely suppressed by the two freaks, Xu Feng and Hugh Jackman.

It almost made the 19-year-old girl cry.

In the end, Xu Feng taught her hand-in-hand, and the literary scene of just over ten minutes was filmed for nearly a week.

And in this literary scene, the three kings also explained their purpose for competing for the Holy Grail.

Gilgamesh's purpose makes people feel that he is going crazy, but combined with Xu Feng's acting, it is inexplicably convincing.

"Since the Holy Grail is a treasure, then it is naturally this King's thing. Since you mongrels covet it, that is violating the laws formulated by this King. You break the law, I sanction, it's that simple." The Conqueror King's purpose is pure, pure to the point of being surprising, but inexplicably suitable for him—he wants to obtain a physical body and wants to descend into this world as a human again to conquer.

As for conquering the world? That should be executed by his own hands, not by borrowing the power of the Holy Grail.

Hearing this, Gilgamesh no longer called the Conqueror King "mongrel."

Many audience members also keenly noticed this point.

It seems that this "Golden Pika" has already recognized Iskandar as a "King."

"I want to save my destroyed hometown."

However, when Artoria said her wish to compete for the Holy Grail.

The other two kings were silent.

The Conqueror King's face became increasingly solemn, while the Hero King couldn't help but laugh out loud: "Hahaha! Self-proclaimed as a King, and also called a King by the world, yet you regret it? Hahaha!"

"What's so funny? Why mock me?! The motherland that gave me the sword was destroyed, what's so funny about wanting to save it?"

Saber said angrily: "I feel heartbroken for this, what's so funny?"

"As a King, one should sacrifice for the motherland and the people." The Conqueror King retorted in a deep voice: "No, the King should not sacrifice for the country and the people, but the country and the people should sacrifice for the King." The Knight King frowned and said: "What are you saying? Isn't that the way of a tyrant?"

"Indeed, precisely because we are tyrants, we are also heroes. If a King regrets his own rule and regrets the ending of the kingdom, that is just a muddled monarch, not even as good as a tyrant." The Knight King also retorted mercilessly: "Only barbarians yearn for destruction! How can we not save the weak? Correct rule, correct governance, this is the original intention of a King!"

"A King without desire is not even as good as a vase!" The Conqueror King shouted angrily: "Saber, you just said 'sacrifice for ideals,' right? Compared to the past, you were a clean and honest saint, right? Possessing a noble and inviolable posture, right? But who would yearn for this rugged path of thorns?"

The audience unknowingly fell silent again, deeply sinking into this literary scene.

Rather than saying this is a conversation between kings.

It is better to say it is a collision between idealism and realism, or the King's Way and the Hegemon's Way.

Even vaguely, the audience from the Middle Kingdom could see the conflict of concepts between Confucianism and Legalism in the past.

The Ahoge King requires the ruler to strictly restrain himself like a saint and become the savior of the people with an absolutely perfect image.

While the Conqueror King believes that the ruler should fully display his desires; Saber's approach is simply not a way for a "human" to live.

But Xu Feng still made a certain degree of changes.

In the original work, the Ahoge King was completely suppressed by the Great Emperor's momentum in this segment, and even doubted her own past.

While Xu Feng set it here that the Ahoge King did not think her philosophy was wrong.

She would still compete for the Holy Grail to save ancient Britain.

Until later, when she saw the berserk Berserker was actually her number one knight, Lancelot.

Only then did she begin to question her past actions.

And this Banquet of Kings finally ended with Assassin making a move and being defeated by Iskandar with his "Ionioi Hetairoi."

And after this battle, Xu Feng focused on depicting Gilgamesh's dissatisfaction with Tokiomi Tohsaka.

Although he is not as open and honest as the Great Emperor, he is not a person who likes to stab people in the back.

Especially on such an occasion that symbolizes the power of kings.

And this also became the turning point for Gilgamesh to decide to change his Master and kill Tokiomi Tohsaka later.

After that, it was the plot of the Heroic Spirits joining forces to kill Caster.

Archer and Berserker joined forces to contribute the most budget-exploding duel so far—Ace Combat.

Gilgamesh VS Blackie.

"Holy crap, how much money did Xu Feng spend on this aerial chase scene?"

"Praying for the pilot's psychological shadow area." ===== CHAPTER 634 =====

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End of Chapter

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