Chapter 344

Photos, which can clearly record people and objects, are already quite amazing.

They can freeze the best side here.

You can take them out to look at when you are old.

Not to mention that in daily life, they have also brought a lot of joy to everyone.

As a result, now, the Shogunate says they want to release something called a movie, as a higher-level art for everyone to watch.

So when the cinema was built, the audience was full.

There were many curious people.

Anyway, the ticket price is not expensive.

For the sake of publicity and promotion, the Shogunate and the Yashiro Commission were like they didn't want money, sending out various movie tickets.

As the commission mainly responsible for Inazuma’s cultural publicity, festivals, and books, they also played an important role.

So it led to the cinema being packed.

Even though the space could accommodate thousands of people, it could be filled all at once.

It was truly astonishing.

And in the cinema.

Under the black curtain, the people sitting here felt very novel and at the same time very confused.

It’s so dark, how should we watch it?

There isn't even any light.

Did the Shogunate make a mistake?

Or is there a technical failure?

After all, it is the first time such technology has appeared, so it is not strange to have such problems.

As a result, before everyone could doubt for long, the wall suddenly lit up, startling everyone!

Then moving images gradually began to appear on it; the first to bear the brunt was the pattern of Tenshukaku, towering and magnificent, luxurious and noble, symbolizing the majesty of holding the power of a nation!

And the triple-comma mark of the Raiden Shogun, representing the authority of the Raiden Shogun!

Then the marks of the Tri-Commission flashed one by one.

Kanjou Commission, Yashiro Commission, Tenryou Commission!

After the opening, the OP (opening theme) and characters, scenes, and various images constantly intersected, accompanied by singing, giving people a sense of reflection of time and space, and the passage of years.

That kind of strong imagery gave these Inazuma people a head-on blow, which can be described as the extreme shock of a country bumpkin entering the city.

This is completely different from the feeling photos give people!

Being able to move is such an astonishing effect.

Such a scene made people boil over, all with their mouths wide open, screaming non-stop.

"My god, it actually moves, how is this done?"

"Too amazing, this feeling is really great! There is really a resonance of revisiting Inazuma’s past!"

"Is this a movie? It’s truly incredible!"

"Moving images, so that’s it; it’s like taking a scene from our lives and putting it on the wall in its original flavor, such powerful and advanced technology."

"Is this something newly researched by our Inazuma? It’s truly incredible."

"I heard this technology was created by Seimei-sama and then promoted, which can be considered as promoting cultural development."

"No way, how does Seimei-sama know everything? He can use powerful Onmyodo to destroy demons, and he can also create all kinds of novel items in daily life."

"I see you are too ignorant; don't forget that the Onmyoji of the past helped a lot in people’s livelihood, researching many convenient items that have been passed down to this day."

"Oh, my mistake, I forgot about this, it is indeed so. Many of the tools at home at the beginning were improved by the Onmyoji of the past."

"They helped a lot when doing farm work."

For a time, people were discussing it, excited.

It seems that the movie did give them a big shock.

After all, this is a real ultra-clear color movie, and the exquisite degree of the picture is extremely outstanding, making people look at it with surprise.

Thus admiring it endlessly.

So the bustle and communication here did not dissipate for a long time, and it was only after a long time that everyone calmed down to watch the movie.

Naturally, after this.

The appearance of the movie caused a sensation in Inazuma.

The streets and alleys were discussing this thing, whether it was old or young, street vendors, shop owners, guests, or other Shogunate soldiers on guard.

Sometimes people’s first sentence changed from "Have you eaten?" to "Have you watched that movie?", so you know how popular it is.

Not to mention the cinema itself, it was always full.

After this full house, the next batch of moviegoers was already waiting outside.

Because of such pressure.

The Shogunate and the Yashiro Commission hurriedly built several more cinemas to relieve the pressure.

So with the completion of several new cinemas, it finally returned to normal.

It was no longer crowded like before, causing a blockage.

Those cinema staff wiped their sweat; it was very exciting for them to be so popular.

Fortunately, the salary is good.

Painful and happy.

So during this time, the cinema released several movies in succession.

All received good responses.

For example, "Hachiko’s Story", "Your Name", "The Love Story of Miss Matsuko", and a whole series of others.

Among them, Ye Ruo intervened a little.

He threw a few scripts over.

After all, with this group of rookies, if they were left to shoot by themselves, they wouldn't know what kind of nonsensical bad movie they would shoot.

It is estimated that there would be poison points everywhere.

If those Inazuma people were poisoned, or if it was boring, leading to the failure of promotion.

This is something Ye Ruo would absolutely not allow.

With some reference objects, they would have a bottom line in their hearts.

And they would know what a so-called movie is.

As long as they can shoot an excellent, poignant, and moving story well, it is a success.

So the first two movies were a great success, and the stories inside were tear-jerking; I don't know how many Inazuma people were immersed in them, saying that movies are such wonderful and beautiful things.

Even that Fontaine engineer Xavier had his chin almost dropped, dumbfounded.

Looking dejected and silly.

He was almost about to shout "damn it"!

After solving the crisis of the furnace explosion at Tatarasuna, he began to pursue his dream of movies, making a story about the Seventh Samurai.

As a result, looking at it now, he was completely crushed by the movies shot by the Inazuma people themselves!

How can this be compared?

The most painful thing in life is comparing yourself with the big shots; the more you compare, the more you find yourself to be trash, which is very uncomfortable.

This change was something he didn't expect.

How did this happen?

Why did Inazuma suddenly make such rapid progress in cameras and photography, and still be able to do it so well?

Outrageous!

How does it feel that in this aspect, it is developing faster than Fontaine, achieving overtaking on a curve all at once.

Not to mention, this picture looks a bit familiar.

Come to think of it, this scene looks a bit familiar.