Chapter 465

Next are the two books, *Old Mondstadt and the Anemo Archon* and *Inazuma's Raiden Shogun*.

Then comes that Wu Xia novel.

Only further back are those initial few books, just as Ye Ruo had thought.

Whether it is *Fuuto PI*, *Debut as an Idol*, or the replica *Demon Slayer*, they are all novels suitable for popularity in their respective regions; the former is suited for Mondstadt, and the latter for Inazuma.

The people of these two nations find it easier to immerse themselves in them.

Therefore, the number of readers here in Liyue is relatively smaller.

After all, Wu Xia, sects, immortals, demon gods, and a whole series of such elements remain popular in Liyue.

They also lean more toward that series of life and folklore.

For instance, something like *Moonlit Night in the Bamboo Forest*, which tells of the encounter between a youth from a mountain villa and a woman in the bamboo forest.

One can truly see the preferences of the Liyue people.

That kind of beautiful story telling of a young man and a young maiden.

It is very well-received.

They find it very easy to immerse themselves in it.

There are also *Rex Incognito*, *Records of Jueyun*, and *Liyue Folklore*.

What was originally quite popular was that *Chronicles of the Lonely Sword on the Barren Mountain*, a classic Wu Xia story of love, hate, and vendettas.

And that *Divine Halberd Records* from back then.

Although it is already out of print, it was not well-regarded when it was first released.

But later on, it became an epoch-making book, leading the wave of Wu Xia-era novels, and many imitators appeared.

It is just that now, the number of copies of that initial version is very small.

It is already out of print.

It is quite precious.

That Xingqiu is always searching for the various volumes of this book.

So, regarding the situation of the replica *Demon Slayer* novel in Liyue.

It cannot be called a huge hit; it can only be said to have been driven by the preceding novels.

Ye Ruo also feels this is normal.

At the very least, those few books of his with demon god and immortal themes have dealt a dimensionality-reduction strike to Liyue's Wu Xia novels.

After all, there is no comparison.

It has resulted in Liyue now starting to popularize immortal novels.

Even in his past life, *Demon Slayer* only became a huge hit after being adapted into an anime.

What does this indicate?

Moving images are the things that can best serve the purpose of promotion and dissemination.

So Ye Ruo is thinking, if he were to film movies in the future, and shoot the legends of the Anemo Archon, the Old Mondstadt war, the story of Senior Qinglong, the Demon God War, and so on—wouldn't that directly take Teyvat by storm?

Even if his system focuses primarily on novels, when the movies come out, he should be able to gain quite a bit of legendary status, right?

This would have an even greater impact.

It could harvest the influence of those who don't usually read novels.

Spreading even wider.

After all, this counts as an advanced method of one lineage.

Coupled with the high requirements for the Luxurious Chests later on.

If the movies can work, at the very least, things would be much more comfortable.

The novels have already been spread out, having gained a certain level of popularity.

The foundation has been laid.

So naturally, he can also plan new projects next.

Let's see if he can extract these technologies in the future.

As for the seven nations at present, the one most likely to research such technology is naturally Fontaine.

Their Kamera is very popular in their own country, and it has also gained quite a bit of fame in other nations.

Even here in Liyue, there are merchant guilds that have specifically imported a batch.

One only needs to press it to record the current scene and then print the image onto paper.

This has also led to the appearance of door-to-door photography services.

If Ye Ruo remembers correctly, there is a great Fontaine inventor in Inazuma named Xavier, and he has a dream of shooting movies.

He calls it 【Film】.

*Film Notes*, it was.

*The Bantan Sango Case Files: The Deathly Wind Blowing Toward the Blond Samurai*.

So it can be clearly seen that Fontaine is very developed, with all kinds of wonderful technologies constantly emerging as time goes by; every other moment, a Fontaine inventor appears.

Traveling all over the continent, collecting inspiration, and creating new inventions.

It is the Sumeru side that has lagged behind.

In an environment like Fontaine's, they have already researched underwater submarines and underwater architecture.

Ye Ruo has even been there to play.

That place is very interesting.

However, regarding the matter of shooting movies, he will see if he can get ahead of Fontaine and beat them to it in every aspect.

Using brand-new technology to create movies that will sweep the seven nations.

On this point, Ye Ruo is naturally duty-bound!

Not to mention that Ye Ruo had previously integrated the bookstores and established the 【Wind and Bird Publishing House】, allowing those who want to become novelists to enthusiastically submit their manuscripts.

If they pass, they will be printed and sold here.

And then both sides have money.

Which is to say, the Mondstadt version of the Yae Publishing House.

And don't even get me started; besides many poets and adventurers, Mondstadt has also seen the emergence of many novelists. They are also full of inspiration as they submit to the publishing house, which can be considered the rise of another mainstream profession.

At the publishing house, Lisa and Sister Shalin are both in the upper echelons.

Ye Ruo is the one with the highest position.

Many of the people inside are old friends from the Knights of Favonius.

A branch of this publishing house has also been established in Liyue.

Incidentally, Ye Ruo also wants to start a Qinglongshang Society here in Liyue; it's just something to play around with, and it will be more convenient later on, and news will be more well-informed.

After all, that underground hidden force in Fontaine back then also helped a lot.

One can never have too many forces.

He is not an immortal living in seclusion who only needs to hide in the mountains.

After dealing with these, Ye Ruo takes Sister Shalin to visit relatives and friends.

He also makes an appointment with Madame Ping and Zhong Li to have a meal at Yujing Terrace.

This leaves Sister Shalin in a state of inexplicable anxiety; what does this count as? Is Ye Ruo letting his old friends know of her existence?

Calculating the age, there is a sense of nervousness like a daughter-in-law meeting her parents-in-law.

Even though she was previously able to face the top of the immortals without changing her expression, remaining calm.

This also makes Ye Ruo feel particularly amused.

The current Sister Shalin is both sexy and cute; such a maidenly side is truly extremely interesting.

However, he is also left between laughter and tears.

There is no need to care about age or anything like that.

After all, this is just Ye Ruo's good friend; if one really calculates the seniority, isn't it about the same?

Having a normal conversation is not a problem at all.

And when they arrive at the agreed-upon place, Madame Ping is already standing there, having waited for a long time.

However, beside her.

There is a cute and petite loli maiden who is intercepting another eccentric girl wearing a Qiankun Taigua hat, with a plum blossom pinned on it.