[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"origin-the-academic-director-reborn-in-the-film-industr":3,"chapter-the-academic-director-reborn-in-the-film-industr-the-academic-director-reborn-in-the-film-industr-chapter-373":6},{"origin":4,"title":5},"chinese","The Academic Director: Reborn in the Film Industry",{"chapter":7,"nextChapterSlug":19,"prevChapterSlug":20,"totalChapters":21,"novelImage":22},{"id":8,"novel_id":9,"title":10,"slug":11,"index":12,"content":13,"wordcount":14,"created_at":15,"updated_at":15,"volume":16,"translator":17,"content_hash":18},2297373,4493,"Chapter 373: Visiting the Set","the-academic-director-reborn-in-the-film-industr-chapter-373",373,"\u003Cp>On September 20th, the 26th Golden Rooster Awards announced its list of nominations.\u003C\u002Fp>\n\u003Cp>The announcement of this list could be said to have caused quite a sensation in the film and television industry.\u003C\u002Fp>\n\u003Cp>Many media outlets following the matter were also somewhat astonished by this list.\u003C\u002Fp>\n\u003Cp>On the contrary, the general public who saw the nomination list felt that the films nominated for the Golden Rooster Awards this time were no longer so \"unfamiliar\"; at the very least, even if they hadn't seen most of the films, they had heard their names.\u003C\u002Fp>\n\u003Cp>In truth, to put it bluntly, the nomination list this time had \"sunk\" down, as the nominated films were almost all films that could \"truly\" be screened in cinemas.\u003C\u002Fp>\n\u003Cp>Those films shot by state-owned film studios for the sake of fulfilling quotas, which were only screened in their local state-owned cinemas for a short while and basically had no attendance, were essentially not on this nomination list.\u003C\u002Fp>\n\u003Cp>Cao Yang’s vision was to turn the Golden Rooster Awards into the most authoritative professional film award in the country, focusing on artistry, technicality, and professionalism.\u003C\u002Fp>\n\u003Cp>That is to say, artistic arthouse films, or commercial films that were also exceptionally good art films, would be able to win major awards.\u003C\u002Fp>\n\u003Cp>As for purely commercial blockbusters, they could win technical awards.\u003C\u002Fp>\n\u003Cp>This point is somewhat similar to the Oscars.\u003C\u002Fp>\n\u003Cp>Those films that were task-oriented (films shot by state-owned studios to complete their annual quotas), guided, or traditional mainstream melodies had a more suitable film festival waiting for them, which was the Huabiao Film Awards.\u003C\u002Fp>\n\u003Cp>The Huabiao Awards are hosted by the National Film Bureau and are the government awards of the domestic film industry, recognizing works and individuals who have made outstanding contributions to the domestic film industry.\u003C\u002Fp>\n\u003Cp>Those films shot for the sake of quotas, which basically could not be screened nationwide and could only be shown in local state-owned cinemas, or even \"perfunctory\" films that were shelved after completion with no intention of being screened, should go compete for the Huabiao Awards.\u003C\u002Fp>\n\u003Cp>For state-owned film studios, whether it was the Golden Rooster or the Huabiao, as long as they could win an award, they didn't care.\u003C\u002Fp>\n\u003Cp>But preventing them from winning an award was a different matter; these were political achievements.\u003C\u002Fp>\n\u003Cp>Therefore, Cao Yang's move was actually very offensive to the state-owned film studios; not every state-owned studio had the capability of the Youth Film Studio or China Film Group to produce mainstream award-winning films.\u003C\u002Fp>\n\u003Cp>However, the person standing in front of Cao Yang specifically handling this matter was Hou Ke.\u003C\u002Fp>\n\u003Cp>Old Hou had been doing administrative work for so many years; don't let his appearance of being heart-to-heart in front of Cao Yang fool you, his methods were not simple either.\u003C\u002Fp>\n\u003Cp>Since 2005, the original Huaxia Film Huabiao Awards, the Xia Yan Film Literature Award, and the Huaxia Film Tongniu Award were merged under the \"Huaxia Radio, Film and Television Award,\" uniformly titled the \"Huaxia Film Huabiao Awards.\"\u003C\u002Fp>\n\u003Cp>Furthermore, the award cycle was changed from once a year to once every two years.\u003C\u002Fp>\n\u003Cp>Coincidentally, the Huabiao Awards \"overlapped\" with the Golden Rooster Awards; both were held in odd-numbered years, and the current dates for these two awards were not far apart, one at the end of August and the other at the end of October.\u003C\u002Fp>\n\u003Cp>Consequently, Old Hou did not \"clash head-on\" to do this, but instead united some fourth and fifth-generation directors, as well as old artists from the Beijing Film Academy, to offer suggestions to the Film Bureau, the Federation of Literary and Art Circles, and the Publicity Department.\u003C\u002Fp>\n\u003Cp>The superficial purpose was for the more standardized, orderly, and healthy development of Huaxia's films.\u003C\u002Fp>\n\u003Cp>This era still emphasized learning from the advanced experience of the West in all aspects, and Huaxia's films, at least on the surface in recent years, were learning from Europe.\u003C\u002Fp>\n\u003Cp>Therefore, if our film festivals want to become film festivals with international influence like the big three in Europe, of course, we must learn from the more professional side.\u003C\u002Fp>\n\u003Cp>Films participating in the main competition section of the big three in Europe must have their premieres held there.\u003C\u002Fp>\n\u003Cp>That is to say, to enter the main competition section of the big three in Europe, the film must not have been screened before, and it must not have participated in other film festivals previously.\u003C\u002Fp>\n\u003Cp>The Golden Rooster also needs to learn from the professionalism of the big three in Europe.\u003C\u002Fp>\n\u003Cp>Of course, it must also combine the characteristics of the Oscars; we must take the good and discard the bad, taking the essence and removing the dross.\u003C\u002Fp>\n\u003Cp>What are the differences between the Oscars and the big three in Europe?\u003C\u002Fp>\n\u003Cp>To participate in the Oscars, one of the requirements is that it must be screened for a sufficient number of sessions within a specified time—this point is distinguished from the \"exclusivity\" of the big three in Europe.\u003C\u002Fp>\n\u003Cp>The suggestion from Old Hou and his group was that for our domestic awards to reflect professionalism, especially the Golden Rooster Awards, we should learn from the Oscars' \"sufficient number of screenings.\"\u003C\u002Fp>\n\u003Cp>We must also learn from the \"exclusivity\" of the big three in Europe—films participating in the Golden Rooster Awards must not have participated in other domestic awards; note, this is domestic.\u003C\u002Fp>\n\u003Cp>As for after participating in the Golden Rooster Awards, then it is up to them; it does not affect participating in the Golden Horse or Hong Kong Film Awards later.\u003C\u002Fp>\n\u003Cp>In truth, to put it bluntly, this regulation of the Golden Rooster Awards was aimed at those films that were task-oriented, guided, or traditional mainstream melodies.\u003C\u002Fp>\n\u003Cp>It was impossible for these films not to participate in the Huabiao Awards, which were two months earlier than the Golden Rooster Awards, because such films were easier to win awards at the Huabiao Awards.\u003C\u002Fp>\n\u003Cp>But the proposal from Old Hou and his group was under the banner of the more standardized, orderly, and healthy development of Huaxia's films; it was \"pulling the banner,\" the slogan was lofty, and almost everyone didn't see that this was aimed at those state-owned film studios.\u003C\u002Fp>\n\u003Cp>Even the state-owned film studios did not see this point.\u003C\u002Fp>\n\u003Cp>They only felt regret that some of the films they shot could not participate in the Golden Rooster after participating in the Huabiao.\u003C\u002Fp>\n\u003Cp>But they would never think that this kind of \"tortuous, bizarre, and lofty\" regulation was merely aimed at them; after all, it seemed that this regulation was for the Golden Rooster Awards to be more professional and was aimed at all films.\u003C\u002Fp>\n\u003Cp>Therefore, some slogans or regulations that look \"lofty\" might just have the purpose of a small, special \"matter.\"\u003C\u002Fp>\n\u003Cp>In this way, as the promoter of this matter, Cao Yang naturally didn't offend anyone, and even Old Hou and his group didn't offend anyone.\u003C\u002Fp>\n\u003Cp>At this year's Golden Rooster Awards, those traditional mainstream melody films and films shot for the sake of quotas were almost nowhere to be seen; they all went to participate in the Huabiao Awards in August.\u003C\u002Fp>\n\u003Cp>Of course, some films shot by directors within the system that were not so mainstream, or films they considered artistic, gave up on the Huabiao Awards and turned to sign up for the Golden Rooster Awards.\u003C\u002Fp>\n\u003Cp>For such films, Cao Yang told Old Hou that as long as they met the registration conditions for the Golden Rooster, they could compete fairly; no special treatment was needed.\u003C\u002Fp>\n\u003Cp>Today was not only the day the Golden Rooster Awards announced the nomination list, but also the day for the auditions of those few people Cao Yang had earmarked at the Beijing Film Academy.\u003C\u002Fp>\n\u003Cp>As everyone knows, when Cao Yang auditions actors, what he values most is whether the actor fits the image of his film, while acting skills are secondary.\u003C\u002Fp>\n\u003Cp>However, because these students from the Beijing Film Academy who were to audition did not know the content of the film, they had no way to deliberately apply makeup or perform in a way that better fit the character's image.\u003C\u002Fp>\n\u003Cp>It wasn't that no one tried to probe into the content of the film and the requirements for the characters.\u003C\u002Fp>\n\u003Cp>The four male students and six female students, at the moment they received the audition notice, almost all had their first reaction in a daze, including Yang Mi, who already had quite a bit of fame, and Jing Tian, who did not worry about resources.\u003C\u002Fp>\n\u003Cp>The second reaction, of course, was that those with connections quickly found connections, and those without connections quickly found their class teachers or familiar teachers to inquire about Director Cao's new film.\u003C\u002Fp>\n\u003Cp>Being able to act in Director Cao's film was already one of the highest starting points for entering the film and television circle in the country.\u003C\u002Fp>\n\u003Cp>Although Yang Mi was admitted to the Beijing Film Academy in 2005, before entering the academy, in 2002 when she was still in high school, she had already signed with Rongsinda.\u003C\u002Fp>\n\u003Cp>Relying on Rongsinda's resources, she appeared in hit TV dramas such as \"Red Powder Family\" and \"The Return of the Condor Heroes.\"\u003C\u002Fp>\n\u003Cp>After entering the Beijing Film Academy, she successively appeared in films or TV dramas such as \"Beijing Fairy Tale,\" \"Wang Zhaojun,\" \"Strange Tales of Liaozhai: Xiaoqian,\" and \"Why Meet Again.\"\u003C\u002Fp>\n\u003Cp>Rongsinda thought highly of her and did not skimp on giving her resources.\u003C\u002Fp>\n\u003Cp>After Yang Mi received the call from the department, she didn't delay for a moment, and with an excited heart, she called Li Xiaowan and Li Shaohong, the founders of Rongsinda, respectively.\u003C\u002Fp>\n\u003Cp>After Li Xiaowan and Li Shaohong received the call, they also attached great importance to it.\u003C\u002Fp>\n\u003Cp>The matter of probing for news was handed over to Li Shaohong.\u003C\u002Fp>\n\u003Cp>Li Shaohong could be considered Cao Yang's senior sister; she was also from the 1978 directing department, one of Old Situ's students, and was a classmate of Old Tian and Old Chen.\u003C\u002Fp>\n\u003Cp>As Old Tian's confidante, Li Shaohong definitely called him first.\u003C\u002Fp>\n\u003Cp>The first thing she said was: \"My Golden Lion director, how about doing me a favor?\"\u003C\u002Fp>\n\u003Cp>Old Tian... patted his chest without hesitation and said: \"Speak!\"\u003C\u002Fp>\n\u003Cp>Then Li Shaohong asked about Cao Yang's new film, wanting to know some information, and explained that a student signed to her company was a student at the Beijing Film Academy and had received an audition invitation.\u003C\u002Fp>\n\u003Cp>She was mainly afraid that Old Tian would misunderstand, and also afraid that if it spread, Cao Yang would misunderstand.\u003C\u002Fp>\n\u003Cp>After all, probing for film information for a company's signed artist was a normal thing, but probing for information about another director's new film for no reason was offending people.\u003C\u002Fp>\n\u003Cp>When Old Tian heard that it was this matter, he still said without hesitation: \"I don't know.\"\u003C\u002Fp>\n\u003Cp>No matter what Li Shaohong said, or what tone she used, Old Tian just smiled and said three words, \"I don't know.\"\u003C\u002Fp>\n\u003Cp>It made Li Shaohong extremely depressed.\u003C\u002Fp>\n\u003Cp>Did Old Tian know the content of Cao Yang's new film?\u003C\u002Fp>\n\u003Cp>Of course he knew.\u003C\u002Fp>\n\u003Cp>Old Tian was even going to play the role of the male lead's older brother in it, and Cao Yang had even discussed the content of the film with him, so how could he not know.\u003C\u002Fp>\n\u003Cp>Therefore, as Li Shaohong hung up the phone in low spirits, Old Tian still gave her a reminder, telling her to let the female student she signed not be coy, and just express herself generously.\u003C\u002Fp>\n\u003Cp>What Li Shaohong didn't know was that Cao Yang didn't take the female students' matter to heart at all; he was mainly selecting the candidate for the male lead's nephew, and he left the selection of the two girlfriends for the \"nephew\" to Old Tian.\u003C\u002Fp>\n\u003Cp>After all, the screen time for these two roles was too little, and it didn't matter much who was chosen.\u003C\u002Fp>\n\u003Cp>In the end, Cao Yang hesitated between Chen Xiao and Zhu Yilong; both had very youthful appearances, and playing high school students would not have any sense of incongruity. This also had to do with their ages; Chen Xiao was only twenty, and Zhu Yilong was only nineteen.\u003C\u002Fp>\n\u003Cp>However, looking only at their looks, Chen Xiao belonged to the \"young scholar\" category, while Zhu Yilong's looks allowed him to play both \"young scholars\" and \"rogue\" types who were both righteous and evil, and he could also play in serious dramas.\u003C\u002Fp>\n\u003Cp>That is to say, just in terms of looks, Zhu Yilong had a wider acting range than Chen Xiao.\u003C\u002Fp>\n\u003Cp>An actor with a wider acting range was still worth looking forward to.\u003C\u002Fp>\n\u003Cp>Thus, Cao Yang chose Zhu Yilong to play the role of the male lead's nephew.\u003C\u002Fp>\n\u003Cp>Old Tian's choice was somewhat beyond Cao Yang's expectations; he decided on Yang Mi and Jing Tian.\u003C\u002Fp>\n\u003Cp>He didn't practice favoritism; the two girlfriends the \"nephew\" dated, one was quieter, and the other was a band lead singer, a bit more dashing.\u003C\u002Fp>\n\u003Cp>Jing Tian stood there, looking quiet and gentle.\u003C\u002Fp>\n\u003Cp>And Yang Mi was a typical Jingcheng girl; once she tied her high ponytail, she had that dashing spirit.\u003C\u002Fp>\n\u003Cp>Fine, anyway, the screen time wasn't much, choosing these two shouldn't be a problem, right?\u003C\u002Fp>\n\u003Cp>Before finally confirming the male lead, Cao Yang took a trip to the Huairou Film and Television Base.\u003C\u002Fp>\n\u003Cp>Old Chen's \"Mei Lanfang\" was being filmed here, and this was also the main filming location.\u003C\u002Fp>\n\u003Cp>\"Mei Lanfang\" was originally scheduled to start filming in May, but Old Chen was not very satisfied with the Beiying Street filming location inside the Beijing Film Studio, so he spent money to rebuild a filming location in Huairou.\u003C\u002Fp>\n\u003Cp>This was why it was delayed until the end of July to start filming.\u003C\u002Fp>\n\u003Cp>Cao Yang had several purposes for going to Huairou this time; the superficial purpose was to visit the set, as Old Chen was his senior brother, and visiting the set was a very normal thing.\u003C\u002Fp>\n\u003Cp>Furthermore, in the selection of the role of Meng Xiaodong, Old Chen finally chose Li Xiaoran, whom he thought had better acting skills, instead of Fatty Bing, who had greater fame in Hollywood.\u003C\u002Fp>\n\u003Cp>Cao Yang told Li Xiaoran that he was going to visit her set this time.\u003C\u002Fp>\n\u003Cp>There was also one last purpose, which was to talk to Old Chen about whether there was any possibility of Li Ming's schedule, which could be considered the final attempt.\u003C\u002Fp>\n\u003Cp>If Li Ming, the most suitable candidate, couldn't free up his schedule, Cao Yang would most likely have to choose Cheng Long.\u003C\u002Fp>\n\u003Cp>The Berlin Film Festival would definitely prefer that the male lead of Cao Yang's new film be Cheng Long; Cheng Long had great fame, and switching from a kung fu superstar to filming an arthouse film would also be more topical.\u003C\u002Fp>\n\u003Cp>Lunchtime.\u003C\u002Fp>\n\u003Cp>Old Chen was in a special shed with Li Ming, Li Xiaoran, and the heads of several major departments, and what they ate was certainly different from that of ordinary staff.\u003C\u002Fp>\n\u003Cp>Li Xiaoran was eating very happily today, and everyone was a bit confused.\u003C\u002Fp>\n\u003Cp>Just as they were eating, Old Chen's phone rang.\u003C\u002Fp>\n\u003Cp>He picked up the phone and looked at it, and everyone noticed that a smile actually appeared on Old Chen's usually stern face.\u003C\u002Fp>\n\u003Cp>\"You're coming to visit the set this afternoon?\"\u003C\u002Fp>\n\u003Cp>\"Welcome, you are certainly welcome.\"\u003C\u002Fp>\n\u003Cp>\"Alright, let's find some time for the two of us to grab a meal tonight.\"\u003C\u002Fp>\n\u003Cp>After hanging up the phone, Old Chen glanced at everyone present, picked up a piece of food with his chopsticks, chewed it with his head lowered, and only after swallowing did he feign nonchalance and say, \"Everyone, put in some effort this afternoon; let's see if we can finish today's shots early.\"\u003C\u002Fp>\n\u003Cp>After saying this, he smiled and added, \"Cao Yang is coming to visit the set. My junior fellow apprentice and I haven't gathered in a long time, so I want to finish filming early to meet up with him tonight.\"\u003C\u002Fp>\n\u003Cp>Li Xiaoran smiled and took a small bite of rice. For the sake of her figure, she shouldn't have eaten this rice, but acting requires stamina, and doing other things requires stamina as well.\u003C\u002Fp>\n\u003Cp>She had seen the text message Cao Yang sent her that morning and knew he was coming to see her, though nominally, he was coming to the set to visit Old Chen.\u003C\u002Fp>\n\u003Cp>Li Ming’s expression shifted; he couldn't help but think of Cao Yang’s new film. Should he take this opportunity to have a chat with Director Cao?\u003C\u002Fp>\n\u003Cp>Sister Hong’s eyes flickered, and she couldn't help but glance at A-Jiao. Back when they were casting, if they had swapped A-Jiao for Baizhi...\u003C\u002Fp>\n\u003Cp>A-Jiao, on the other hand, was full of curiosity and anticipation. Was the country's top director coming to visit the set this afternoon? She must take this opportunity to get to know him.\u003C\u002Fp>\n\u003Cp>In short, everyone had their own calculations.\u003C\u002Fp>\n\u003Cp>When Cao Yang arrived, it was Sister Hong who personally received him.\u003C\u002Fp>\n\u003Cp>On the way to the set with Cao Yang, for some reason, Sister Hong suddenly spoke on impulse, asking, \"Cao Yang, do you know a cinematographer named Christopher Doyle?\"\u003C\u002Fp>\n\u003Cp>Cao Yang was taken aback; he knew Christopher Doyle, and he was acquainted with him.\u003C\u002Fp>\n\u003Cp>Christopher Doyle was Australian, a typical old white man.\u003C\u002Fp>\n\u003Cp>However, he worked in the Xiangjiang and Taiwan film circles and was considered Wang Jiawei’s go-to cinematographer, having collaborated with almost every famous director in Xiangjiang and Taiwan.\u003C\u002Fp>\n\u003Cp>He had won the Technical Grand Prize at the Cannes Film Festival and had won Best Cinematography at the Golden Horse Awards and the Hong Kong Film Awards many times; he was considered one of the top cinematographers.\u003C\u002Fp>\n\u003Cp>Cao Yang glanced at Sister Hong; it seemed Sister Hong knew a thing or two.\u003C\u002Fp>\n\u003Cp>In the film and television industry, especially the film industry, because one comes into contact with so many handsome men and beautiful women, heterosexual attraction might not trigger much excitement or novelty, so...\u003C\u002Fp>\n\u003Cp>This was no secret.\u003C\u002Fp>\n\u003Cp>Whether in Xiangjiang, Taiwan, or the mainland, it was not uncommon for many handsome young actors to maintain deep, friendly relationships with big shots in exchange for resources.\u003C\u002Fp>\n\u003Cp>And there were quite a few big shots who shared a mutual appreciation for one another.\u003C\u002Fp>\n\u003Cp>Hmm, Old Chen was a big shot in the film and television industry, and Christopher Doyle was also a big shot in the film and television industry.\u003C\u002Fp>\n\u003Cp>Cao Yang was still waiting for Sister Hong to continue, but she unexpectedly stopped talking about that topic and started talking about... Zhang Baizhi.\u003C\u002Fp>\n\u003Cp>She said that last month, in August, Baizhi had given birth to a son, and after saying this, she looked at Cao Yang.\u003C\u002Fp>\n\u003Cp>This left Cao Yang feeling very depressed.\u003C\u002Fp>\n\u003Cp>Why are you looking at me?\u003C\u002Fp>\n\u003Cp>It’s not mine.\u003C\u002Fp>\n\u003Cp>Or are you implying something?\u003C\u002Fp>\n\u003Cp>Otherwise, why bring up both Christopher Doyle and Baizhi?\u003C\u002Fp>\n\u003Cp>Uh, could it be that Old Chen and Christopher Doyle are still sharing a \"mutual appreciation\" for each other?\u003C\u002Fp>\n\u003Cp>That evening, Cao Yang had a casual meal with Old Chen, who had finished filming early, and they chatted.\u003C\u002Fp>\n\u003Cp>From Old Chen, he learned that because progress was not satisfactory, \"Mei Lanfang\" would likely be filming until February of next year, nearly two months later than expected.\u003C\u002Fp>\n\u003Cp>Hearing February of next year, Cao Yang extinguished his plan to invite Li Ming.\u003C\u002Fp>\n\u003Cp>Even if Old Chen gave him face and prioritized filming Li Ming’s scenes, at Old Chen’s pace, it would certainly take more than two months to finish them.\u003C\u002Fp>\n\u003Cp>Old Chen was still very demanding when it came to shots.\u003C\u002Fp>\n\u003Cp>Cao Yang noticed that Old Chen was exceptionally strict with his requirements for framing, lighting, and costumes, makeup, and props.\u003C\u002Fp>\n\u003Cp>Even if there was the slightest flaw, such as a button that didn't match the Republican era, he would demand that the clothing be changed.\u003C\u002Fp>\n\u003Cp>Furthermore, not only was the preparation time for each shot long, but the filming was also rigorous and serious.\u003C\u002Fp>\n\u003Cp>He would almost never do fewer than six takes for any shot; even if the first two takes felt great and met all requirements, he would still insist on finishing at least six takes before stopping.\u003C\u002Fp>\n\u003Cp>It seemed almost like he had obsessive-compulsive disorder.\u003C\u002Fp>\n\u003Cp>At this filming speed, it was almost impossible for Li Ming to finish early.\u003C\u002Fp>\n\u003Cp>Forget it.\u003C\u002Fp>\n\u003Cp>Cao Yang gave up.\u003C\u002Fp>\n\u003Cp>Cheng Long was also a good choice; let it be Cheng Long.\u003C\u002Fp>\n\u003Cp>After his meal with Old Chen, Cao Yang followed the address Li Xiaoran had sent and arrived at the place where she was staying.\u003C\u002Fp>\n\u003Cp>That night, Cao Yang had infinite energy.\u003C\u002Fp>\n\u003Cp>Of course, this was absolutely not influenced by Sister Hong.\u003C\u002Fp>\n\u003Cp>It was mainly because he hadn't seen \"Big White\" for a long time and missed her very much.\u003C\u002Fp>\n\u003Cp>Big White was the same; she was clearly very invested. She had eaten an extra bite of rice at noon and another extra bite of rice in the evening, so she still had the stamina.\u003C\u002Fp>\n\u003Cp>A woman with stamina is still very passionate and full of vitality.\u003C\u002Fp>\n\u003Cp>(End of this chapter)\u003C\u002Fp>",3512,"2026-06-20T05:36:33.260Z",1,"Gemini 3.1 Flash Lite","84ccac4c289b1f09959e26c28a4d5dd09f2bb96683463d9d79b8a0b935f86431","the-academic-director-reborn-in-the-film-industr-chapter-374","the-academic-director-reborn-in-the-film-industr-chapter-372",411,"https:\u002F\u002Fnovelzhen.com\u002Fimages\u002Fcovers\u002Fthe-academic-director-reborn-in-the-film-industr-cover.jpg"]