Chapter 1104: What, the composition is problematic!

When other cameramen saw Qin Mu come, they also surrounded him one after another. After all, they hadn't seen Qin Mu for so many days, and their hearts were also very excited.

"Qin Mu, you finally came back. We have been nagging about you by Fatty's side for so many days, but Fatty didn't know when you would come back. Now, seeing you come back, we are really too happy. Also, after you come back, you still have to find the director. The director said he wanted to discuss the next stage performance with you. Meanwhile, we have many following problems here and want you to guide us. I always feel that no matter how we film, we can't film the feeling you had when you filmed the promotional film. Although the two cannot be mentioned in the same breath, the filming we use here always feels like something is strange. Now that you have finally come back, I just thought about letting you come over and help me take a look."

The cameraman on the side ran to Qin Mu and said to Qin Mu when seeing Qin Mu come.

After all, for so many days, the trainees he followed and filmed, although they had certain effects, looked unsatisfactory every time they were filmed.

And the effect filmed by Qin Mu was also very different.

So, when he saw Qin Mu come, he immediately ran to Qin Mu and let Qin Mu point out one or two things for himself.

And when Qin Mu heard the cameraman say this, he was naturally very willing.

He nodded, walked quickly to the cameraman's side, and earnestly watched the works filmed by the cameraman on the monitor.

It was just that he only watched for a minute or two and already knew where the problem was.

"Actually, if you look at this work carefully, at first glance, there is indeed no big problem, and the lens is very smooth, and the clarity you adjusted is also no problem. But the feeling it gives people is always lacking. So your problem just now is very correct. You feel that what you filmed is very good, but when you really watch it, it is indeed a bit unsatisfactory. Actually, your composition is problematic. You can look at it this way: if your lens has the same blank space at the top and bottom, then the feeling it gives people as a whole is very rigid. Now your filming problem is just like this; the problem in composition is the biggest problem ~ˇ."

Qin Mu said to the cameraman very earnestly.

And when the cameraman heard Qin Mu say this, he also immediately realized his filming problem.

The trainees in front of him, although they weren't following and filming indoors, this time it was changed to outdoors.

But when outdoors, this cameraman didn't change his filming method either, still having the same blank space at the top and bottom, making the whole film look very rigid, and even without any spirituality.

And after Qin Mu pointed out one or two things like this, the cameraman quickly understood his problem.

"But, our professional courses clearly told us that if we are filming people, and it is outdoors, it is best to seek symmetry. If it is symmetrical composition, then the top and bottom blank space is the same, and the left and right blank space is the same, and the person in the middle can just be used as the axis of symmetry. But now, after you say this, although I have already known my problem, how should I compose the picture to be the best?"

The cameraman asked Qin Mu very modestly.

And when Qin Mu heard the cameraman say this, he immediately enlarged the screen on the camera in front of him to the maximum, and then said to the cameraman.

"Look, the biggest composition problem you have now is that your requirements are too rigid. Think about it, if the sky above and the earth below are all the same, and the person in the middle stands here, it is nothing more than standing here like an axis of symmetry, very rigidly, making people look lifeless. If you leave a part of the sky above, and below people reveal their shoes, or reveal other things of theirs, it will make people look very lively. Although sometimes what the textbook says is correct, when applied to our actual life, there is a difference. This tells us not to be too rigidly entangled in a certain thing, and to learn to be flexible."

Qin Mu said to the cameraman very earnestly.

And when the cameraman heard Qin Mu say this, he also instantly understood.

He relied too much on the knowledge in the textbook. Now, in terms of composition, there was indeed a lack.

When he heard Qin Mu say this, he nodded immediately.

"Qin Mu, you are right. In terms of composition, I indeed rely too much on the knowledge in the textbook. Now that I have heard your guidance, I understand a bit. And when I compose the picture usually, I am also very particular about symmetry, and after this composition comes out, it always makes people feel lifeless. After you say this, I changed the filming style, and it is indeed much better. When the time comes, I will arrange it according to this filming style. More importantly, once people's images are revealed below, the whole picture will become very flexible."