Chapter 525: Shining, the audience finally realized the severity of the situation

On stage, the cold-toned stage lights flickered, paired with the young lady's ancient-style clothing, making the whole stage have an indescribable, beautiful ancient charm.

The young lady naturally didn't know the audience's thoughts.

She continued to sing holding the microphone.

In this song, she didn't use various voice changes anymore, but sang with her own original voice:

"Flicking fingers of time, the city is destroyed in an instant

Blue stone street, a glance back at your grace

Do you hate it, you shake your head and sigh

Who makes you frown

And in the deep boudoir, only the scent of rouge remains."

After the opera style, the singing voice immediately connected to the content of section B, singing with a normal singing method, but there was no abruptness.

If Zhou Dong's song "Hair Like Snow" sings about devotion, "East Wind Breaks" is sorrowful, and "Blue and White Porcelain" is elegant, then "Orchid Pavilion Preface" sings about resilience.

A young master admires a beautiful woman, but that beautiful woman has someone else she admires, yet the young master did not give up, insisting on loving her.

It can be simply understood as the relationship between Lu You, Tang Wan, and Zhao Shicheng, where this young master is Zhao Shicheng, and the beautiful woman is Tang Wan.

This song actually sings about the lovesickness of loving someone you cannot have.

There are eighty thousand characters in the world, only the word love is the most hurtful.

In these lyrics.

Those who serve others with beauty, when beauty fades, love relaxes; the person the beautiful woman admires has long been tired of her.

The young master still remembers the beautiful grace of the beautiful woman's glance back on the blue stone street, but now her eyebrows are long and she knows all the tastes of sorrow.

The love of the good person is exhausted, who is she dressing up for? The deep boudoir only leaves the scent of rouge.

"Do you hate it?" the young master asks with a heartache, and the beautiful woman shakes her head and sighs.

"Wild geese fly south, turning back to look at you with tears in your eyes

Scooping up a handful of moon, how to sleep while holding memories

And how could it be

The worries are sewn into the embroidered shoes, stitch by stitch with resentment

If flowers resent butterflies, who will you resent."

In the ethereal, cold, and drifting singing voice, the song's emotions were pushed to a climax.

Under the effect of the resonance talent.

The audience seemed to see that the beautiful woman was abandoned by the person she admired, the young master inadvertently caught a glimpse of her tears, and she, who locked herself in the deep boudoir to sew embroidered shoes all day, was full of resentment stitch by stitch, and couldn't help but want to ask, "If flowers resent butterflies, who do you resent?"

At this time.

The climax of section B came.

"Regardless of wind and moon, I write the preface waiting for you to return

The hanging brush is a masterpiece, the waves on the shore are layered

How to explain the word love, how to write it is wrong

And I am missing, your understanding of a lifetime."

It was still the normal singing method, without using opera style.

Although it didn't have the amazement of opera style, it made the emotions appear fuller.

The screen on the big screen behind the stage also changed.

Another picture appeared.

In the long courtyard, a young master wearing a white long gown, holding a brush, writing seriously on paper.

Inexplicably, the figure of that young master gradually overlapped with the Ruthless Great Emperor.

The poem says: 【Life is always full of love, this hatred has nothing to do with wind and moon.】

"Regardless of wind and moon" refers to the young master's sincere feelings for the beautiful woman, not for experiencing wind, flowers, snow, and moon, or self-intoxication.

"Writing the preface waiting for you to return" implies that he has already expressed his heart and is waiting for a reply. When the preface was written, huge waves stirred in his heart, and he was happy and encouraged by his own bravery.

"How to explain the word love, how to write it is wrong" also shows his hesitation, thinking that although the feelings have been expressed, they have not been expressed completely, and have not been described accurately, fearing that she cannot fully understand. He sighed, if she had understood his character, family background, and persistent attitude towards feelings earlier, the result might have been very different.

At this moment.

The audience was immersed in this lovesickness of loving someone they cannot have. ===== CHAPTER 526 =====